FILM NOIR je svakako jedan od najzanimljivijih naslova na FESTu i izaziva najveću pažnju. Reč je o celovečernjem animiranom filmu kome pre-sales radi Wild Bunch što je garancija prilične ozbiljnosti. Za razliku od FESTove dokumentacije, Wild Bunch potpisuje sledeću autorsku ekipu.
DIRECTED BY - D. JUD JONES
DIRECTED BY - RISTO TOPALOSKI
ART DIRECTOR - RAYMOND PENN
ORIGINAL MUSIC BY - MARK KELLER
ORIGINAL SCREENPLAY BY - D. JUD JONES
PRODUCED BY - MIODRAG CERTIC
EXECUTIVE PRODUCERS - MIODRAG CERTIC, D. JUD JONES
PRESENTED BY - EASYE FILMS
Dakle, neki od Srba u ekipi se potpisuju pseudonimima...
Zatim, kažu da je zaplet sledeći:
Nighttime, LA. Our hero opens his eyes, regaining consciousness. Above him, the Hollywood sign flashes. Parked nearby, there's a car and a dead cop. And next to the cop, a gun. Judging by the way it fits the holster he's wearing, it looks like our man's the killer. And he can't remember a damned thing - how he got there; what happened; who he is. Sirens scream through the night - time to run. Our hero gets into the dead cop's car and splits.
In the car, his cell phone rings - it's a call for Sam Ruben, private detective. A voice tells him the job's done and the money will be wired into his account. Is our hero Ruben? He visits the detective's seedy offices, where a nonplussed secretary informs him that Sam's away. She has no idea who our hero is. A dead end. Back in the car, the phone rings again. It's the secretary, calling to tell Ruben that David Hudson was just in the office.
That night our man breaks in to Ruben's office and steals Hudson's file. The photo in the file is a perfect match - he is David Hudson... or is he?
Thus our man enters a hellish world of lethal deception and limitless depravity, desperate to regain his identity at the heart of a black, white and blood-red nightmare where the only thing filthier than the lies is the sex, and the only sure thing is that nothing is what it seems.